Current A–Z Programs

Program Reminder:

Paint This with Jerry Yarnell

(visit website)

Ch. Title Description # Day Date Time Length RPT CC DVS AD MD
36.1 A Farmer's Icon, Part 1 Jerry provides step-by-step instruction on a beautiful nostalgic red barn. While blocking in the composition during the first stages of this painting, Jerry demonstrates a new method for creating a dramatic stormy sky. (1 of 13)
WEB LINK
1101 MO 08/11/14 11:00am 00:28:46 - (CC) × ST
36.1 A Farmer's Icon, Part 2 Jerry continues blocking in the barn, roof, silos and trees while establishing the contrast and values of the painting. He uses a variety of greens with to demonstrate beautiful meadows, while complementing and creating a contrast with the red barn. (2 of 13)
WEB LINK
1102 TU 08/12/14 11:00am 00:28:45 - (CC) × ST
36.1 A Farmer's Icon, Part 3 Jerry adds the middle tones and highlights, beginning with the silos and a circular motion the dimensional form is created on the cylindrical shape of the silos. The barn is highlighted and further detail is added to create textured, old wood and with the addition of ruts in the road, even further attention is directed towards the barn. (3 of 13)
WEB LINK
1103 WE 08/13/14 11:00am 00:28:46 - (CC) × ST
36.1 A Farmer's Icon, Part 4 In the final stage of this painting, Jerry continues highlighting the barn, adds the details of the fence, broken boards and a gate. Pure pigment is utilized to brighten the barn and the use of a script brush will add the necessary cracks and holes in the wood of the barn. (4 of 13)
WEB LINK
1104 TH 08/14/14 11:00am 00:28:45 - (CC) × ST
36.1 A Bluebird's Paradise, Part 1 Jerry provides step-by-step instruction on how to paint beautiful Eastern bluebirds on a diptych, two separate paintings brought together by technique to create one piece. (5 of 13)
WEB LINK
1105 FR 08/15/14 11:00am 00:28:45 - (CC) × ST
36.1 A Bluebird's Paradise, Part 2 Jerry begins painting in the connecting limb with a #2 bristle brush making sure to achieve tapered limbs and to create soft edges. Trees are highlighted, the birdhouse is blocked in, along with the roof and supporting post. (6 of 13)
WEB LINK
1106 MO 08/18/14 11:00am 00:28:45 - (CC) × ST
36.1 A Bluebird's Paradise, Part 3 Jerry begins the highlight stage of the diptych. Weathered wood on the birdhouse, brighter highlights and reflected light on the limb, as well as scripting in the small branches of the tree are completed during this session of the painting. (7 of 13)
WEB LINK
1107 TU 08/19/14 11:00am 00:28:44 - (CC) × ST
36.1 A Bluebird's Paradise, Part 4 Jerry creates a clean dark under painting of the bluebirds using a mix of turquoise blue, ultramarine blue and burnt umber. He creates a darker under painting for the detail of the feathers. A renowned Ducks Unlimited artist discusses the proper form, technique, foreshortening and proportion of birds and their anatomy, to provide greater detail to their color and overall form. (8 of 13)
WEB LINK
1108 WE 08/20/14 11:00am 00:28:44 - (CC) × ST
36.1 A Bluebird's Paradise, Part 5 Jerry begins building the highlights of the feathers in this painting, and skims the surface of the under painting, leaving darker pockets showing through the bright colors of the red crest, the bright blue of the head and the lighter gray of the under belly. (9 of 13)
WEB LINK
1109 TH 08/21/14 11:00am 00:28:45 - (CC) × ST
36.1 Parade of Lights, Part 1 Jerry introduces a cityscape for the first time as one of his painting projects. A metropolitan cityscape with high-rise skyscrapers stretches across a 15x30 canvas with a dark sunset, glowing lights in the buildings that reflect beautifully in the water. (10 of 13)
WEB LINK
1110 FR 08/22/14 11:00am 00:28:45 - (CC) × ST
36.1 Parade of Lights, Part 2 Jerry finishes construction of the buildings with a dynasty brush making sure to vary the sizes of the buildings, the height and location of skyscrapers and closely observing and manipulating the negative space between the structures. (11 of 13)
WEB LINK
1111 MO 08/25/14 11:00am 00:28:45 - (CC) × ST
36.1 Parade of Lights, Part 3 Jerry begins to detail the buildings with the use of a different value to create an overlap of smaller buildings in the foreground, their reflections in the water and the addition of well-placed lights in the city. Additional glows, variety of colors, and a skimming technique connect the structures of the horizon line. (12 of 13)
WEB LINK
1112 TU 08/26/14 11:00am 00:28:45 - (CC) × ST
36.1 Parade of Lights, Part 4 In this final session of the 15x30 painting, Jerry completes the miscellaneous glows and with the addition of a dry brush haze around the lights, both in the sky and in the water. (13 of 13)
WEB LINK
1113 WE 08/27/14 11:00am 00:28:45 - (CC) × ST
36.1 A Farmer's Icon, Part 2 Jerry continues blocking in the barn, roof, silos and trees while establishing the contrast and values of the painting. He uses a variety of greens with to demonstrate beautiful meadows, while complementing and creating a contrast with the red barn. (2 of 13)
WEB LINK
1102 TH 08/28/14 11:00am 00:28:45 (RPT) (CC) × ST
36.1 A Farmer's Icon, Part 3 Jerry adds the middle tones and highlights, beginning with the silos and a circular motion the dimensional form is created on the cylindrical shape of the silos. The barn is highlighted and further detail is added to create textured, old wood and with the addition of ruts in the road, even further attention is directed towards the barn. (3 of 13)
WEB LINK
1103 FR 08/29/14 11:00am 00:28:46 (RPT) (CC) × ST
36.1 A Farmer's Icon, Part 4 In the final stage of this painting, Jerry continues highlighting the barn, adds the details of the fence, broken boards and a gate. Pure pigment is utilized to brighten the barn and the use of a script brush will add the necessary cracks and holes in the wood of the barn. (4 of 13)
WEB LINK
1104 MO 09/01/14 11:00am 00:28:45 (RPT) (CC) × ST
36.1 A Bluebird's Paradise, Part 1 Jerry provides step-by-step instruction on how to paint beautiful Eastern bluebirds on a diptych, two separate paintings brought together by technique to create one piece. (5 of 13)
WEB LINK
1105 TU 09/02/14 11:00am 00:28:45 (RPT) (CC) × ST
36.1 A Bluebird's Paradise, Part 2 Jerry begins painting in the connecting limb with a #2 bristle brush making sure to achieve tapered limbs and to create soft edges. Trees are highlighted, the birdhouse is blocked in, along with the roof and supporting post. (6 of 13)
WEB LINK
1106 WE 09/03/14 11:00am 00:28:45 (RPT) (CC) × ST
36.1 A Bluebird's Paradise, Part 3 Jerry begins the highlight stage of the diptych. Weathered wood on the birdhouse, brighter highlights and reflected light on the limb, as well as scripting in the small branches of the tree are completed during this session of the painting. (7 of 13)
WEB LINK
1107 TH 09/04/14 11:00am 00:28:44 (RPT) (CC) × ST
36.1 A Bluebird's Paradise, Part 4 Jerry creates a clean dark under painting of the bluebirds using a mix of turquoise blue, ultramarine blue and burnt umber. He creates a darker under painting for the detail of the feathers. A renowned Ducks Unlimited artist discusses the proper form, technique, foreshortening and proportion of birds and their anatomy, to provide greater detail to their color and overall form. (8 of 13)
WEB LINK
1108 FR 09/05/14 11:00am 00:28:44 (RPT) (CC) × ST
36.1 A Bluebird's Paradise, Part 5 Jerry begins building the highlights of the feathers in this painting, and skims the surface of the under painting, leaving darker pockets showing through the bright colors of the red crest, the bright blue of the head and the lighter gray of the under belly. (9 of 13)
WEB LINK
1109 MO 09/08/14 11:00am 00:28:45 (RPT) (CC) × ST
36.1 Parade of Lights, Part 1 Jerry introduces a cityscape for the first time as one of his painting projects. A metropolitan cityscape with high-rise skyscrapers stretches across a 15x30 canvas with a dark sunset, glowing lights in the buildings that reflect beautifully in the water. (10 of 13)
WEB LINK
1110 TU 09/09/14 11:00am 00:28:45 (RPT) (CC) × ST
36.1 Parade of Lights, Part 2 Jerry finishes construction of the buildings with a dynasty brush making sure to vary the sizes of the buildings, the height and location of skyscrapers and closely observing and manipulating the negative space between the structures. (11 of 13)
WEB LINK
1111 WE 09/10/14 11:00am 00:28:45 (RPT) (CC) × ST
36.1 Parade of Lights, Part 3 Jerry begins to detail the buildings with the use of a different value to create an overlap of smaller buildings in the foreground, their reflections in the water and the addition of well-placed lights in the city. Additional glows, variety of colors, and a skimming technique connect the structures of the horizon line. (12 of 13)
WEB LINK
1112 TH 09/11/14 11:00am 00:28:45 (RPT) (CC) × ST
36.1 Parade of Lights, Part 4 In this final session of the 15x30 painting, Jerry completes the miscellaneous glows and with the addition of a dry brush haze around the lights, both in the sky and in the water. (13 of 13)
WEB LINK
1113 FR 09/12/14 11:00am 00:28:45 (RPT) (CC) × ST
36.1 Biloxi Shrimpers, Part 1 Jerry discusses the differences between a gallery wrap and the traditional canvas as he begins the composition of a boat dock with a shrimp boat, reflections in the water and a pelican on the piering. (1 of 13)
WEB LINK
1201 MO 09/15/14 11:00am 00:28:45 - (CC) × ST
36.1 Biloxi Shrimpers, Part 2 Jerry continues to discuss the gallery wrap and using the pegs in the frame to tighten a canvas as he continues to under paint the grays of the dock and the boat. He utilizes the contrast rule and discusses the value created with the use of turquoise blue and ultramarine deep to successfully achieve the next level of value in the piers and dock.(2 of 13)
WEB LINK
1202 TU 09/16/14 11:00am 00:28:45 - (CC) × ST
36.1 Biloxi Shrimpers, Part 3 Jerry adds the intermediate details of the boat trim, barrels on the dock, miscellaneous items stacked around the boat house and the additional highlighting of the water. He begins placing more emphasis on the center of interest, the dimensional form of the boat. (3 of 13)
WEB LINK
1203 WE 09/17/14 11:00am 00:28:45 - (CC) × ST
36.1 Biloxi Shrimpers, Part 4 Jerry begins adding the final details in the boat, blocking in and adding shape to the pelican, plus, he demonstrates how to make a correction to the design/composition of a painting by altering the length of the boat. He switches to the Dynasty brushes for the chiseled edge and to create the shrimpers nets on the boat. (4 of 13)
WEB LINK
1204 TH 09/18/14 11:00am 00:28:45 - (CC) × ST
36.1 My Favorite Things, Part 1 Jerry discusses the unique steps that an artist will take to actually develop a painting. He discusses the use of a camera for resources, using a color printer and setting up a research library. The next step is the setting up of a still life, the proper lighting, suggested items for the setting such as colored fruit, vases, flowers, all the while watching the negative space even as you set up the still life. (5 of 13)
WEB LINK
1205 FR 09/19/14 11:00am 00:28:45 - (CC) × ST
36.1 My Favorite Things, Part 2 Jerry has a collection of items he has collected from around the studio. He begins blocking in the shapes and he demonstrates how to paint a perfect circle for the grapes. He uses a # 4 bristle brush and pivots the brush thus creating a round object. (6 of 13)
WEB LINK
1206 MO 09/22/14 11:00am 00:28:45 - (CC) × ST
36.1 My Favorite Things, Part 3 Jerry adds dimension and form to the blocked in shapes of this composition. He discusses the creation of a candle light glow on a painting and how to dry brush in the shape around the flame. (7 of 13)
WEB LINK
1207 TU 09/23/14 11:00am 00:29:00 - (CC) × ST
36.1 My Favorite Things, Part 4 Jerry brings up the highlights slowly with multiple layers on each of the objects. He deepens the cast shadows on the apple and completes the painting with the final details. (8 of 13)
WEB LINK
1208 WE 09/24/14 11:00am 00:29:00 - (CC) × ST
36.1 A Farmer's Icon, Part 1 Jerry provides step-by-step instruction on a beautiful nostalgic red barn. While blocking in the composition during the first stages of this painting, Jerry demonstrates a new method for creating a dramatic stormy sky. (1 of 13)
WEB LINK
1101 TH 09/25/14 11:00am 00:28:46 (RPT) (CC) × ST
36.1 A Farmer's Icon, Part 2 Jerry continues blocking in the barn, roof, silos and trees while establishing the contrast and values of the painting. He uses a variety of greens with to demonstrate beautiful meadows, while complementing and creating a contrast with the red barn. (2 of 13)
WEB LINK
1102 FR 09/26/14 11:00am 00:28:45 (RPT) (CC) × ST
36.1 A Farmer's Icon, Part 3 Jerry adds the middle tones and highlights, beginning with the silos and a circular motion the dimensional form is created on the cylindrical shape of the silos. The barn is highlighted and further detail is added to create textured, old wood and with the addition of ruts in the road, even further attention is directed towards the barn. (3 of 13)
WEB LINK
1103 MO 09/29/14 11:00am 00:28:46 (RPT) (CC) × ST
36.1 A Farmer's Icon, Part 4 In the final stage of this painting, Jerry continues highlighting the barn, adds the details of the fence, broken boards and a gate. Pure pigment is utilized to brighten the barn and the use of a script brush will add the necessary cracks and holes in the wood of the barn. (4 of 13)
WEB LINK
1104 TU 09/30/14 11:00am 00:28:45 (RPT) (CC) × ST