Current A–Z Programs

Program Reminder:

Paint This with Jerry Yarnell

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Ch. Title Description # Day Date Time Length RPT CC DVS AD MD
36.3 Trademark of Spring, Part 5 Jerry shows how to paint in all of the final details of fence posts, a dead tree, and illustrates use of the chisel-edge brushes. (13 of 13)
WEB LINK
913 MO 04/07/14 05:30am 00:29:00 - (CC) × ST
36.3 Trademark of Spring, Part 5 Jerry shows how to paint in all of the final details of fence posts, a dead tree, and illustrates use of the chisel-edge brushes. (13 of 13)
WEB LINK
913 MO 04/07/14 11:30am 00:29:00 - (CC) × ST
36.3 Wine & Roses (Still Life), Part 1 Jerry prepares the canvas and blocks in the wood table base. Then with a white conte pencil, lightly sketches out composition. (1 of 13)
WEB LINK
1001 FR 04/11/14 05:30am 00:29:00 - (CC) × ST
36.3 Wine & Roses (Still Life), Part 1 Jerry prepares the canvas and blocks in the wood table base. Then with a white conte pencil, lightly sketches out composition. (1 of 13)
WEB LINK
1001 FR 04/11/14 11:30am 00:29:00 - (CC) × ST
36.3 Wine & Roses (Still Life), Part 2 Jerry continues outlining crystal glass with a script brush then under paints the grapes. (2 of 13)
WEB LINK
1002 MO 04/14/14 05:30am 00:29:00 - (CC) × ST
36.3 Wine & Roses (Still Life), Part 2 Jerry continues outlining crystal glass with a script brush then under paints the grapes. (2 of 13)
WEB LINK
1002 MO 04/14/14 11:30am 00:29:00 - (CC) × ST
36.3 Wine & Roses (Still Life), Part 3 Jerry highlights roses and uses the synthetic chisel-edge brushes to start under-painting the large grape leaves, adjusting the value of the color. (3 of 13)
WEB LINK
1003 FR 04/18/14 05:30am 00:29:00 - (CC) × ST
36.3 Wine & Roses (Still Life), Part 3 Jerry highlights roses and uses the synthetic chisel-edge brushes to start under-painting the large grape leaves, adjusting the value of the color. (3 of 13)
WEB LINK
1003 FR 04/18/14 11:30am 00:29:00 - (CC) × ST
36.3 Wine & Roses (Still Life), Part 4 Jerry focues on final details, highlights, shadows, and adding wood grain to a wooden table top. (4 of 13)
WEB LINK
1004 MO 04/21/14 05:30am 00:29:00 - (CC) × ST
36.3 Wine & Roses (Still Life), Part 4 Jerry focues on final details, highlights, shadows, and adding wood grain to a wooden table top. (4 of 13)
WEB LINK
1004 MO 04/21/14 11:30am 00:29:00 - (CC) × ST
36.3 My Girl, Part 1 Jerry begins with a rough basic sketch of the basic land masses. He under-paints a late evening sunset and talks about leveling the horizon line. (5 of 13)
WEB LINK
1005 FR 04/25/14 05:30am 00:29:00 - (CC) × ST
36.3 My Girl, Part 1 Jerry begins with a rough basic sketch of the basic land masses. He under-paints a late evening sunset and talks about leveling the horizon line. (5 of 13)
WEB LINK
1005 FR 04/25/14 11:30am 00:29:00 - (CC) × ST
36.3 My Girl, Part 2 Jerry begins by taking #6 bristle brush and starts highlighting the ocean along the horizon line. (6 of 13)
WEB LINK
1006 MO 04/28/14 05:30am 00:29:00 - (CC) × ST
36.3 My Girl, Part 2 Jerry begins by taking #6 bristle brush and starts highlighting the ocean along the horizon line. (6 of 13)
WEB LINK
1006 MO 04/28/14 11:30am 00:29:00 - (CC) × ST
36.3 My Girl, Part 3 Jerry takes the white conte pencil and sketches in the old broken down dune fence. Then with the #6 chisel-edge brush blocks in the fence pickets. He switches to a #2 bristle brush and paints in support posts. (7 of 13)
WEB LINK
1007 FR 05/02/14 05:30am 00:29:00 - (CC) × ST
36.3 My Girl, Part 3 Jerry takes the white conte pencil and sketches in the old broken down dune fence. Then with the #6 chisel-edge brush blocks in the fence pickets. He switches to a #2 bristle brush and paints in support posts. (7 of 13)
WEB LINK
1007 FR 05/02/14 11:30am 00:29:00 - (CC) × ST
36.3 My Girl, Part 4 Jerry adds final highlights on fence, grass, water, sand dunes. He also sketches in figures with soft vine charcoal. With #2 bristle he brushes under paint figures and switches to sable brushes to detail the figure. (8 of 13)
WEB LINK
1008 MO 05/05/14 05:30am 00:29:00 - (CC) × ST
36.3 My Girl, Part 4 Jerry adds final highlights on fence, grass, water, sand dunes. He also sketches in figures with soft vine charcoal. With #2 bristle he brushes under paint figures and switches to sable brushes to detail the figure. (8 of 13)
WEB LINK
1008 MO 05/05/14 11:30am 00:29:00 - (CC) × ST
36.3 Adobe Sunrise, Part 1 Jerry does a basic sketch of the adobe building, then uses the #10 bristle brush to under- paint the sunrise sky. He blocks in distant hills and trees, then under paints snow with darker values with #6 bristle brush. (9 of 13)
WEB LINK
1009 FR 05/09/14 05:30am 00:29:00 - (CC) × ST
36.3 Adobe Sunrise, Part 1 Jerry does a basic sketch of the adobe building, then uses the #10 bristle brush to under- paint the sunrise sky. He blocks in distant hills and trees, then under paints snow with darker values with #6 bristle brush. (9 of 13)
WEB LINK
1009 FR 05/09/14 11:30am 00:29:00 - (CC) × ST
36.3 Adobe Sunrise, Part 2 Jerry begins blocking in the adobe building to create its three dimensional form with the #4 bristle brush. He uses the #4 script brush to paint in all of the distant dead trees behind the adobe building. (10 of 13)
WEB LINK
1010 MO 05/12/14 05:30am 00:29:00 - (CC) × ST
36.3 Adobe Sunrise, Part 2 Jerry begins blocking in the adobe building to create its three dimensional form with the #4 bristle brush. He uses the #4 script brush to paint in all of the distant dead trees behind the adobe building. (10 of 13)
WEB LINK
1010 MO 05/12/14 11:30am 00:29:00 - (CC) × ST
36.3 Adobe Sunrise, Part 3 Jerry under-paints the snow on the roof and the tops of the adobe walls and snow drifts against base of building. Then with the #6 bristle brush, he under-paints the adobe oven. With the #4 chisel brush he blocks in miscellaneous poles and some of the odd components attached to the building. (11 of 13)
WEB LINK
1011 FR 05/16/14 05:30am 00:29:00 - (CC) × ST
36.3 Adobe Sunrise, Part 3 Jerry under-paints the snow on the roof and the tops of the adobe walls and snow drifts against base of building. Then with the #6 bristle brush, he under-paints the adobe oven. With the #4 chisel brush he blocks in miscellaneous poles and some of the odd components attached to the building. (11 of 13)
WEB LINK
1011 FR 05/16/14 11:30am 00:29:00 - (CC) × ST
36.3 Adobe Sunrise, Part 4 Jerry begins the process of painting in all of the miscellaneous and final highlights to give the building and the surrounding snow the early-morning glow. He adds final details on building and surrounding area like grasses, bushes, tall weeds, and miscellaneous accent highlights. (12 of 13)
WEB LINK
1012 MO 05/19/14 05:30am 00:29:00 - (CC) × ST
36.3 Adobe Sunrise, Part 4 Jerry begins the process of painting in all of the miscellaneous and final highlights to give the building and the surrounding snow the early-morning glow. He adds final details on building and surrounding area like grasses, bushes, tall weeds, and miscellaneous accent highlights. (12 of 13)
WEB LINK
1012 MO 05/19/14 11:30am 00:29:00 - (CC) × ST
36.3 Color Mixing 101 for Intermediate to Advanced Stud Jerry goes through a very comprehensive color-mixing process for basic to advanced mixtures. He puts special emphasis on mixing blacks, grays, and under-painting colors for certain objects including flesh tones, animals, birds, trees, grasses, and numerous other landscape objects. (13 of 13)
WEB LINK
1013 FR 05/23/14 05:30am 00:29:00 - (CC) × ST
36.3 Color Mixing 101 for Intermediate to Advanced Stud Jerry goes through a very comprehensive color-mixing process for basic to advanced mixtures. He puts special emphasis on mixing blacks, grays, and under-painting colors for certain objects including flesh tones, animals, birds, trees, grasses, and numerous other landscape objects. (13 of 13)
WEB LINK
1013 FR 05/23/14 11:30am 00:29:00 - (CC) × ST